L’Aventure Du Jazz Vol. 1 & 2
L’Aventure Du Jazz Vol. 1 & 2
Ref.: FA5666

LA MUSIQUE DU FILM DE LOUIS PANASSIÉ 1969-1972

Ref.: FA5666

Label : Frémeaux & Associés

Durée totale de l'œuvre : 2 heures 22 minutes

Nbre. CD : 2

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Présentation


Ce coffret regroupe des enregistrements issus du film historique « L’Aventure du jazz », réalisé par Louis Panassié de 1969 à 1972. Ce film, parmi les plus importants de l’histoire du jazz, avait engendré la publication de deux formidables 33 tours en 1972 présentés par Hugues Panassié. En 2005, afin de faire revivre ce patrimoine musical, Laurent Verdeaux créa le label Jazz Odyssey Records et se lança dans la numérisation et la restauration de ces titres légendaires dont la prise de son était d’ailleurs exemplaire pour l’époque. Ce double album, en sus de proposer des beaux moments de vérités musicales, permet une plongée dans les années 1970 avec ceux qui faisaient vibrer le coeur du jazz et du blues originels par l’intermédiaire d’un aréopage d’artistes légendaires : de Milt Buckner à John Lee Hooker, de Willie « the Lion » Smith à Sister Rosetta Tharpe. 
Patrick FRÉMEAUX 

DIRECTION ARTISTIQUE : LAURENT VERDEAUX AVEC LA PARTICIPATION DE DOMINIQUE BRIGAUD

CD 01 - MILT BUCKNER, ORGUE, JO JONES, BATTERIE : SWINGIN’ IN BIARRITZ • TEA FOR TWO • CARAVAN. PANASSIÉ STOMPERS : BASIN STREET BLUES • MONTAUBAN BLUES • CHEZ PANASSIÉ TAKE 1 ET TAKE 2. MEMPHIS SLIM, VOCAL ET PIANO, MADELEINE GAUTIER, VOCAL (9) : NO (IT’S ALL OVER) • BEER DRINKING WOMAN. WILLIE « THE LION » SMITH, PIANO, VOCAL (12) : HERE COMES THE BAND • RELAXIN’ • MUSIC ON MY MIND. ZUTTY SINGLETON (SOLOS DE BATTERIE) : NEW ORLEANS DRUMS • RIM SHOTS • DRUM FACE N°3. SISTER ROSETTA THARPE, VOCAL ET PIANO : I SHALL NOT BE MOVED • ABOUT MY LIFE • JUST A LITTLE WHILE TO STAY HERE. DOCUMENT : QUELQUES INSTANTS DE L’OFFICE DOMINICAL DE L’ÉGLISE ÉVANGÉLISTE ST LUC, PHILADELPHIE. 

CD 02 - THE STARS OF FAITH : DRY BONES • A PITY AND A SHAME. SISTER ROSETTA THARPE, VOCAL ET GUITARE : UP ABOVE MY HEAD • GO AHEAD • GUITAR IS A GIFT OF GOD • THAT’S ALL. CLIFF JACKSON, P, ZUTTY SINGLETON, DMS : WOLVERINE BLUES • MEMPHIS BLUES • HONEYSUCKLE ROSE. MICHAEL SILVA (SOLO DE BATTERIE) : FOOLIN’ AROUND. DICK VANCE ORCHESTRA : JUMPIN’ AT THE WOODSIDE • TIN ROOF BLUES. COZY COLE (SOLO DE BATTERIE) : COZY’S DRUMS. JOHN LEE HOOKER, VOCAL ET GUITARE : WHEN MY FIRST WIFE QUIT ME • BOOGIE CHILLUN. MILT BUCKNER, ORGUE, JO JONES, BATTERIE : MADELEINE’S GARDEN • L’VE FOUND A NEW CHAPEAU • LA BELLE CLAUDINE. BUDDY TATE CELEBRITY CLUB ORCHESTRA : ONE O’CLOCK JUMP • JOKIN’ • THE MOOCHE. CHARLIE SHAVERS : BLUES FOR HUGUES.



Presse
Musique filmée sans l’image plutôt que musique de film, cette réédition restitue pour la seule oreille les solos de Willie « The Lion » Smith, Zutty Singleton, Cozy Cole, Sister Rosetta Tharpe et John Lee Hooker, les duo Milt Buckner / Jo Jones et Cliff Jakson / Zutty Singleton, Buck Clayton et les Panassié Stompers, le trio Charlie Shavers / André Persiany / Manzie Johnson, le Buddy Tate Celebrity Club et l’office dominical d’une église évangéliste à Philadelphie. Des prises de son légendaires.Par Alfred SORDOILLET – JAZZ MAGAZINE
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Ce coffret enrichit de vingt-cinq titres l’édition originale de la bande sonore de « l’Aventure du Jazz » qui fut à l’époque publiée en LP par le label Jazz Odyssey. Le film fut tourné entre 1969 et 1972 par Louis et Claudine Panassié. Y figurent la formation de Dick Vance, le Celebrity Club Orchestra de Buddy Tate et les Panassié Stompers, un groupe rassemblé pour la circonstance, les pianistes Willie « The Lion » Smith et Cliff Jackson et l’ensemble de Milt Buckner avec Jo Jones. On entend Memphis Slim, John Lee Hooker et Sister Rosetta Tharpe à leur meilleur. La part belle est faite aux batteurs avec des démonstrations de Zutty Singleton, Cozy Cole et Michael Silva. Tous ces musiciens jouent un jazz authentique qui n’a pas pris une ride. Le film présente aussi les formidables danseurs de Lou Parks et démontre ainsi le lien évident entre danse et jazz. Tout n’est pas parfait, comme la fin abrupte de « Tin roof blues », mais ces imperfections mineures n’ôtent rien à la valeur inestimable de ce document. Nombre de ces titres rendent hommage au critique Hughes Panassié, le père de Louis et la cheville ouvrière du film. Par Alain TOMAS -SOUL BAG
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« On peut saluer cette initiative de remettre à disposition des amateurs de jazz (surtout) mais aussi de blues et de gospel, de larges extraits de la bande son d’un film réalisé par Louis et Claudine Panassié à la fin des sixties, sous la direction tutélaire du père Hughes bien entendu. Deux long playings étaient parus en 1971 mais il restait de nombreuses faces inédites qui prenaient la poussière sur des étagères, entre autres, des faces de tournages de 1972, postérieures à la parution des LP. Le passage du vinyl au laser a permis d’ajouter 30 minutes de musique à chacun des deux volumes et il y en a encore en réserve de quoi faire un volume 3, voire 4. Les amateurs de blues se régaleront de faces gravées à Montauban en 1969 : deux de Memphis Slim dont l’une, à sa demande est traduit en live par Madeleine Gautier (Beer Dinking Woman – La Buveuse De Bière) et deux faces de John Lee Hooker. Quant aux amateurs de gospel, ils y trouveront aussi leur compte avec 6,35 minutes d’un service religieux bien enlevé dans l’Église Evangéliste St Luc de Philadelphie en juillet 1972, en plus de sept faces de Sister Rosetta Tharpe dont trois où la Sister est au piano et chant, en ce compris un court About My Life et quatre autres au chant et guitare, dont l’autobiographique Guitar Is A Gift Of God. Pour faire bonne mesure, on retrouve aussi les Stars Of Faith dans deux faces de juillet 1972 à Philadelphie. Les amateurs de jazz sont super gâtés avec le duo Milt Buckner (orgue) et Jo Jones (drums) qui swingent à tout va dans trois faces de juillet 1969 gravées à Biarritz et trois autres de mars 1972 à la Varenne St Hilaire dont un hommage à Mme Panassié (La Belle Claudine) et un autre à Madeleine Gautier (Madeleine’s Garden). Dans une autre face (Caravan), Jo Jones démontre sa maestria aux baguettes dans un très long solo. Des solos de batteries il y en a d’ailleurs quelques autres dont trois de Zutty Singleton (New York 1969), un de Michael Silva (La Varenne St Hilaire, 1972) et un de Cozy Cole (New York 1969). Il y a aussi quatre faces des Panassié Stompers (New York 1970) , un super-groupe éphémère formé par Buck Clayton (tp), Vic Dickinson (tb), Eddie Barefield (as), Budd Johnson (ss, ts), Sonny White (p), Tiny Grimes (gt), Milt Hinton (bs), et Jimmy Crawford (dms). La partie jazz se clôture avec des morceaux tous gravés à New York en 1969 : trois faces du pianiste Cliff Jackson en duo avec le batteur Z. Singleton, trois faces du pianiste Willie “The Lion” Smith dont une chantée (Music On My Mind), deux faces du Dick Vance Orchestra, trois faces du Buddy Tate Celebrity Club Orchestra et Blues for Hughes, un beau blues chanté par un trio de jazz formé par Charlie Shavers (tp), André Persiany (p) et Manzie Johnson (dms). C’est toute une époque qui est réactivée. On aime ! »Par Robert SACRE – ABS MAGAZINE
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Attention, double témoignage historique : celui d’un premier film retraçant à l’orée des années 70 l’histoire du jazz avec, excusez du peu, Armstrong, Ellington, Jo Jones, etc. Celui aussi du regard d’Hugues Panassié et son clan sur ce jazz qu’il contribua grandement à forger, en France mais aussi outre-Atlantique. La musique du film, magnifiquement rééditée et agrémentée d’inédits, est à l’image de cette histoire : elle grouille de curiosités parfois un peu vieillies, souvent puissamment fraiches. La compilation vire sans ambages à la succession de chefs-d’œuvre pour les amateurs de blues grâce à des morceaux d’anthologie de Sister Rosetta Tharpe, Memphis Slim, John Lee Hooker ou Willie The Lion Smith, qui sont ici à leur sommet dans une production au cordeau.Par Pierre TENNE – JAZZ NEWS
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Louis Panassié, son of the pioneering French jazz researcher Hughes Panassié obviously has a thing for jazz drummers – on this release there is a long solo by Jo Jones, taking over organist Milt Buckner’s version of « Caravan » almost entirely, New Orleans drummer Zutty Singleton has three short totally solo tracks (though the longest, “New Orleans Drums” is certainly interesting), and both Michael Silva (probably just as he had settled in France) and Cozy Cole also have one solo piece. Once those have been dealt with though, what is left is some fine jazz – with several names of interest to blues lovers – and lots of blues and gospel. Louis and Claudine Panassié intended to document many of the jazz greats who were still around at the time, but they also bought a “professional” tape recorder to ensure that the sound would be adequate - here it is certainly more than that, and even at the time, quality meant that there were two albums of music featuring on the soundtrack released on LP by Jazz Odyssey; later they were on CD with some previously unreleased music. The Panassié Stompers include Tiny Grimes on guitar, and The Buddy Tate Celebrity Club Orchestra Has sometime r&b session sax player Tate in a bluesy mood. Sax player Eddie Barefield, another name I recognized from several big bands, and work with The Harlem Blues & Jazz Band, is also present her with the aforementioned Stompers and with trumpeter Dick Vance’s Orchestra. Willie “The Lion” has three fine solo examples of his stride piano playing; Cliff Jackson, another stride pianist, has three numbers accompanied by Zutty Singleton – Cliff died less than a year later. Milt Buckner’s three pieces on the second disc are a vast improvement on those on disc one, and jazzman Charlie Shavers, a trumpeter, sings a rather fine blues to close out the set. The blues performers themselves comprise – inevitably – Memphis Slim, including an almost simultaneous translation of “Beer Drinking Woman” into French by Madeleine Gauthier (Hughes’ assistant and wife), and a brace of solo numbers by John Lee Hooker from 1969. Gospel too is well-represented – Sister Rosetta Tharpe has two numbers on which she accompanies herself on piano, another where she talks about herself, and four vocal and guitar numbers (on “Guitar Is A Gift Of God” she discusses her playing style) – all well worth hearing. There are also excerpts from a church in Philadelphia and two fine numbers from the same date and place by The Stars Of Faith. Now how about Frémeaux giving us the visuals to go with the music?Par Norman DARWEN – BLUES & RHYTHM
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Liste des titres
  • Piste
    Titre
    Artiste principal
    Auteur
    Durée
    Enregistré en
  • 1
    Swingin' In Biarritz
    Milt Buckner
    00:03:41
    1969
  • 2
    Tea For Two
    Milt Buckner
    Youmans
    00:04:36
    1969
  • 3
    Caravan
    Milt Buckner
    00:07:33
    1969
  • 4
    Basin' Street Blues
    Parnassié Stompers
    00:03:23
    1970
  • 5
    Montauban Blues
    Parnassié Stompers
    00:06:09
    1970
  • 6
    Chez Panassié Take 1
    Parnassié Stompers
    00:05:28
    1970
  • 7
    Chez Panassié Take 2
    Parnassié Stompers
    00:04:08
    1970
  • 8
    No (It S All Over)
    Memphis Slim
    Chatman
    00:04:08
    1969
  • 9
    Beer Drinking Woman
    Memphis Slim
    Chatman
    00:03:41
    1969
  • 10
    Here Comes The Band
    Willie The Lion Smith
    00:02:57
    1969
  • 11
    Relaxin'
    Willie The Lion Smith
    00:01:47
    1969
  • 12
    Music On My Mind
    Willie The Lion Smith
    Willie Smith
    00:03:17
    1969
  • 13
    New Orleans Drums
    Zutty Singleton
    00:01:45
    1969
  • 14
    Rim Shots
    Zutty Singleton
    00:00:53
    1969
  • 15
    Drum Face n°3
    Zutty Singleton
    00:01:30
    1969
  • 16
    I Shall Not Be Moved
    Sister Rosetta Tharpe
    Traditionnel
    00:02:21
    1969
  • 17
    About My Life
    Sister Rosetta Tharpe
    Sister Rosetta Tharpe
    00:01:22
    1969
  • 18
    Just A Little While To Stay Here
    Sister Rosetta Tharpe
    Traditionnel
    00:04:42
    1969
  • 19
    Quelques instants de l'office dominical de L'Eglise Evangeliste
    Anonyme
    Traditionnel
    00:06:35
    1972
  • Piste
    Titre
    Artiste principal
    Auteur
    Durée
    Enregistré en
  • 1
    Dry Bones
    The Stars of Faith
    Frances Steadman
    00:03:13
    1972
  • 2
    A Pity And A Shame
    The Stars of Faith
    Frances Steadman
    00:04:30
    1972
  • 3
    Up Above My Head
    Sister Rosetta Tharpe
    Sister Rosetta Tharpe
    00:01:22
    1969
  • 4
    Go Ahead
    Sister Rosetta Tharpe
    Sister Rosetta Tharpe
    00:03:22
    1969
  • 5
    Guitar Is A Gift Of God
    Sister Rosetta Tharpe
    Sister Rosetta Tharpe
    00:04:25
    1969
  • 6
    That's All
    Sister Rosetta Tharpe
    Sister Rosetta Tharpe
    00:03:00
    1969
  • 7
    Wolverine Blues
    Cliff Jackson
    00:01:50
    1969
  • 8
    Memphis Blues
    Cliff Jackson
    00:02:52
    1969
  • 9
    Honeysuckle Rose
    Cliff Jackson
    00:02:04
    1969
  • 10
    Foolin' Around
    Michael Silva
    00:01:33
    1972
  • 11
    Jumpin' At The Woodside
    Orchestra Dick Vance
    00:04:11
    1969
  • 12
    Tin Roof Blues
    Orchestra Dick Vance
    00:02:43
    1969
  • 13
    Cozy's Drums
    Cozy Cole
    00:01:23
    1969
  • 14
    When My First Wife Quit Me
    John Lee Hooker
    John Lee Hooker
    00:04:40
    1969
  • 15
    Boogie Chillun
    John Lee Hooker
    John Lee Hooker
    00:02:28
    1969
  • 16
    Madeleine's Garden
    Milt Buckner
    00:04:02
    1972
  • 17
    I've Found A New Chapeau
    Milt Buckner
    00:05:29
    1972
  • 18
    La Belle Claudine
    Milt Buckner
    00:03:44
    1972
  • 19
    One O Clock Jump
    Buddy Tate Celebrity Club Orchestra
    00:02:33
    1969
  • 20
    Jokin'
    Buddy Tate Celebrity Club Orchestra
    00:04:20
    1969
  • 21
    The Mooche
    Buddy Tate Celebrity Club Orchestra
    00:04:58
    1969
  • 22
    Blues For Hugues
    Charlie Shavers
    00:04:16
    1969
Livret

La musique du film de
Louis Panassié
1969-1972


Milt BUCKNER
Sister Rosetta THARPE
The STARS OF FAITH
Jo JONES
Willie « the Lion » SMITH
Cliff JACKSON
Memphis SLIM
Cozy COLE
John LEE HOOKER

L’aventure du jazz
Vol. 1 & 2

LOUIS PANASSIE'S SOUNDTRACKS

When Louis and Claudine Panassié were preparing their “L’Aventure du Jazz” project, they had every intention of capturing great jazz players on film with beautiful images but, since they weren’t specialists in audio techniques, they had fears that in comparison the sound recorded for the film might leave something to be desired… They hedged their bets by acquiring a first-class “professional” tape-recorder, but they knew they were going to be shooting scenes wherever the musicians were playing, and so recording-conditions wouldn’t always be ideal.
As it happened, with rare exceptions the sound in the film turned out to be excellent overall, with the takes sounding better than some recordings made in the best-equipped studios… And that gave Louis and Claudine Panassié the idea of ensuring that substantial parts of the film soundtrack from “L’Aventure du Jazz” were released separately on record. The quality of the music itself was exceptional, and the result a superb collection of performances by a whole galaxy of great jazz musicians.
The music contained had so much quality, and at the same time so much diversity, that those people lucky enough to own the records were bound to want to see the film (or see it again!) — and vice versa, because seeing “L’Aventure du Jazz” on the silver screen would no doubt encourage many jazz fans to acquire the two discs as souvenirs of the sound heard in the cinema…

THE BANDS

The orchestra led by Buddy Tate was one of the best, and for years it had been a highlight of the famous Celebrity Club in Harlem, notably thanks to its leader, whose tenor sax was recognized by connoisseurs as one of the most swinging horns in jazz history. In addition, the great drummer Cozy Cole was one of the band’s recruits, and these performances were recorded in May-June 1970.
Dick Vance formed his band in the spring of 1969 to accompany numerous dancers on an African tour, among them Lou Parks’ remarkable “lindy hoppers”. Filmmakers Louis and Claudine Panassié took advantage of rehearsals before the band’s departure to film the dancers and record the orchestra. Tin Roof Blues was recorded alone without a dance routine, but Jumpin’ at the Woodside was taped while the dancers were rehearsing and you can feel the stimulating effect the dancers were having on the playing of Eddie Barefield and the other musicians.
The Panassié Stompers were formed especially for the film. The pick-up group contained eight of the best jazzmen in New York at the time, all with obvious affinities in their styles. They were brought together in a club in May-June 1970, and the irresistible Jimmy Crawford leads a wonderful rhythm section: the drummer was famous for his exploits behind Jimmie Lunceford and his orchestra. He swings with such intensity that the soloists consistently play at their best.
THE SOLOISTS
Recorded in spring 1969, the two pianists appearing in the film were Willie Smith, known as ‘The Lion’, and Cliff Jackson. They were what jazzmen call “complete piano players” — their presence alone was enough. Both men enjoyed a career in a period when a pianist alone was enough to bring a whole dancehall to its feet, with his left hand acting as the rhythm section and the right providing the whole of the melody. Willie Smith was also a renowned composer, as shown by the two pieces he plays in “L’Aventure du Jazz”, Relaxin’ and its incredible melody, and the theme Here comes the band, a synonym for swing.
As for Milt Buckner, also recorded in ‘69, he was one of the greatest organists jazz has ever known. Swingin’ in Biarritz shows his penchant for swing while his reading of Tea for Two, an extraordinarily emotional performance, puts this famous tune in an entirely new light.
Three of the greatest jazz drummers also take solos in the film: Zutty Singleton (Louis Armstrong’s former drummer) represented the pure New Orleans style of percussion; Cozy Cole was a complete musician and the favourite of numerous jazzmen; as for Jo Jones, he reached fame in the ranks of the Count Basie Orchestra as one of the most original drummers, incisive and inventive… and humorous.

THE VOCALISTS

Doesn’t everyone know today that spirituals and blues were the origins of jazz? Spirituals are represented in the film through Sister Rosetta Tharpe, who was not only one of the most moving black singers but a unique guitarist and, at times, also a pianist, as you can hear on I shall not be moved.
The blues pieces here are played by two of the most famous singers, one of them a guitarist, John Lee Hooker, and the other a pianist, Memphis Slim. The latter had the idea of asking Madeleine Gautier, a blues specialist, to translate the lyrics of one of his songs, Beer Drinking Woman, as he went along — La buveuse de bière (the title in French) is one of those pieces with great humour that is quite common in the genre. This is a genuine “first” to be found in “L’Aventure du Jazz”. All the pieces with Rosetta Tharpe, Memphis Slim and John Lee Hooker were recorded in spring 1969.
Hugues PANASSIÉ
(In his preface for the first release of music from “L’Aventure du Jazz”, February 1971).
Adapted into English by Martin DAVIES
L’AVENTURE DU JAZZ, THIRTY YEARS LATER
When Hugues Panassié wrote the above lines in early 1971, the film’s heroes were still among the living: watching all those great musicians on a wide screen, and then listening to them on the two albums that were published, no-one would have thought that this was a twilight period!
The rest of the story was rather cruel, however: Louis Armstrong was the first to pass away, and when the third and last part of filming took place in 1972, some of the others had already followed him. More recently, Buddy Tate et John Lee Hooker have closed their doors (in a manner of speaking), and today almost none of the film’s original participants is still with us. But for all that, neither the visual side nor the music has aged: in retrospect, the time that has gone by since then has merely increased the density (and intensity) of the emotions raised by the film.
At the end of 1974, Hugues Panassié, the mainspring of the film by his son Louis, went looking for all the old friends who’d graciously accepted to take part in “L’Aventure du Jazz” — a royal gift, and it became irreplaceable testimony of a whole era. Hugues Panassié had been the first (in the Thirties) to reveal to Americans a whole chapter of their own history, and one might say that Hugues Panassié was also behind this film (even the Americans hadn’t thought of making this one in a whole century of jazz… it was beyond belief!)
For this new edition of excerpts from the film’s soundtrack, the technical change from vinyl to laser made two extra half-hours of music possible, and so we went on the hunt for material that hadn’t been released, delving into our memories (and the sixty-something magnetic tapes that accompanied them.) Unreleased material… well, that’s saying something! First, there were reels of film dating from 1972, i.e. after the release of the first record-albums, not to mention music that hadn’t been used in the film solely for reasons that had to do with the film itself, and not their musical value, which remained intact. There was enough of the latter to make a third CD possible and, who knows, perhaps even a fourth disc…
Whether the sound had been released or not, we went back to the original master tapes to produce this set. Maybe you are already familiar with the contents of those two records from 1971, but not the rest, so here, in addition to the pieces that are in fact reissues, you can find sounds that have never been heard before at all: the first version of the Panassié Stompers’ chez Panassié, for example; the Milt Buckner-Jo Jones sides from 1972; the astonishing drums of Michael Silva; the very moving Music on my Mind sung by Willie ‘The Lion’ Smith; the Stars of Faith performing in their own parish; Charlie Shavers singing the blues; and also some privileged moments in the company of Sister Rosetta Tharpe, here put together for continuity.
The result is an astonishing document – one that we publish as such, even if the equipment disappointed the technical crew and they had to make do with sound deficiencies – that bears witness, albeit imperfectly, to the astounding power of a Sunday morning at Saint Luke’s Church somewhere in the suburbs of Philadelphia.
Laurent VERDEAUX
Adapted into English by Martin DAVIES
© Frémeaux & Associés 2017
DISCOGRAPHIE - VOLUME 1 (JOCD 01)
Milt BUCKNER, orgue - Jo JONES, batterie : Biarritz, France, prob. Fin juillet 1969
1. SWINGIN’ IN BIARRITZ (Buckner - Jones)    3’41”
2. TEA FOR TWO (Youmans)    4’36”
3. CARAVAN (Ellington - Tizol)    7’33”
PANASSIÉ STOMPERS : New York, printemps 1970
Buck CLAYTON, tp - Vic DICKENSON, tb - Eddie BAREFIELD, as - Budd JOHNSON, ss, ts - Sonny WHITE, p - Tiny GRIMES, g - Milt HINTON, b - Jimmy CRAWFORD, dms.
PANASSIÉ STOMPERS :
4. BASIN STREET BLUES (Spencer Williams)    3’23”
5. MONTAUBAN BLUES (Budd Johnson)    6’09”
6. CHEZ PANASSIÉ Take 1 (Buck Clayton)    5’28”
7. CHEZ PANASSIÉ Take 2 (Buck Clayton)    4’08”
Memphis SLIM, vocal et piano - Madeleine GAUTIER, vocal (9) : Montauban, 65 fbg du Moustier, prob. 23 mars 1969.
8. NO (it’s all over) (Chatman)    4’08”
9. BEER DRINKING WOMAN (Chatman)    3’41”
Willie “the Lion” SMITH, piano, vocal (12) : New York, fin mai 1969
10. HERE COMES THE BAND (Willie Smith)    2’57”
11. RELAXIN’ (Willie Smith)    1’47”
12. MUSIC ON MY MIND (Willie Smith)    3’17”
Zutty SINGLETON (solos de batterie) : New York, juin 1969
13. NEW ORLEANS DRUMS (Singleton)    1’45”
14. RIM SHOTS (Singleton)    0’53”
15. DRUM FACE N°3 (Singleton)    1’30”
Sister Rosetta THARPE, vocal et piano: Philadelphie, fin mai 1969
16. I SHALL NOT BE MOVED (Trad.)    2’21”
17. ABOUT MY LIFE (Rosetta Tharpe)    1’22”
18. JUST A LITTLE WHILE TO STAY HERE (Trad.)    4’42”
DOCUMENT : Philadelphie, dimanche 9 juillet 1972
19. Quelques instants de l’office dominical de l’église évangéliste St Luc, Philadelphie    6’35”

DISCOGRAPHIE - VOLUME 2 (JOCD 02)

THE STARS OF FAITH : Frances STEADMAN, Kitty PARHAM, Mattie HARPER, Sadie KEYS : Philadelphie, dimanche 9 juillet 1972
1. DRY BONES (Frances Steadman)    3’13”
2. A PITY AND A SHAME    4’30”
Sister Rosetta THARPE, vocal et guitare : Philadelphie, fin mai 1969
3. UP ABOVE MY HEAD (Rosetta Tharpe)    1’22”
4. GO AHEAD (Rosetta Tharpe)    3’22”
5. GUITAR IS A GIFT OF GOD (Rosetta Tharpe)    4’25”
6. THAT’S ALL (Rosetta Tharpe)    3’00”
Cliff JACKSON, p - Zutty SINGLETON, dms : New York, juin 1969
7. WOLVERINE BLUES (Morton)    1’50”
8. MEMPHIS BLUES (W.C. Handy)    2’52”
9. HONEYSUCKLE ROSE (Waller-Razaf)    2’04”
Michael SILVA (solo de batterie) : La Varenne Saint-Hilaire, 28 mars 1972
10. FOOLIN’ AROUND (Michael Silva)    1’33”
DICK VANCE ORCHESTRA : New York, juin 1969
Dick VANCE, tp (12) - Eddie BAREFIELD, as - Milt SEALEY, p - Bernard UPSON, bg - Joe MARSHALL, dms
11. JUMPIN’ AT THE WOODSIDE (Basie)    4’11”
12 TIN ROOF BLUES (Rappolo-Mares-Brunies-    
Pollack-Stitzel)    2’43”
 Cozy COLE (solo de batterie) : New York, prob. fin mai 1969
13. COZY’S DRUMS (Cozy Cole)    1’23”
John Lee HOOKER, vocal et guitare : Montauban, 65, fbg du Moustier, prob. 26 mars 1969
14. WHEN MY FIRST WIFE QUIT ME (Hooker)    4’40”
15. BOOGIE CHILLUN (Hooker)     2’28”
Milt BUCKNER, orgue, JO JONES, batterie : La Varenne Saint-Hilaire, 28 mars 1972
16. MADELEINE’S GARDEN (Buckner-Jones)    4’02”
17. I’VE FOUND A NEW CHAPEAU (Buckner-Jones)    5’29”
18. LA BELLE CLAUDINE (Milt Buckner)    3’44”
BUDDY TATE CELEBRITY CLUB ORCHESTRA : Pat JENKINS, tp - Eli ROBINSON, tb - Buddy TATE, ts - Ben RICHARDSON,cl, as, bs - Geo BAKER, g - Ted STURGIS, b - Cozy COLE, dms : New York, mai 1969
19. ONE O’CLOCK JUMP (Basie)    2’33”
20. JOKIN’ (Eli Robinson)    4’20”
21. THE MOOCHE (Ellington-Mills)    4’58”
Charlie SHAVERS, tp - André PERSIANY, p - Manzie JOHNSON, dms : New York, juin 1969
22. BLUES FOR HUGUES (Shavers)    4’16”
    Minutage Total : 71’09”
Réalisation Louis et Claudine Panassié, 1969-1972.
Prise de son et photos : Claudine Panassié.
Sélection, Dominique Brigaud, Laurent Verdeaux.
Montage, mixage, editing, pré-mastering : DIP MUSIC.
Couverture : reproduction de la maquette de Pierre Baulig pour les 33 t de 1971.
Fabrication et distribution : Frémeaux & Associés
www.fremeaux.com
Direction de collection : Laurent Verdeaux
Direction éditoriale : Augustin Bondoux
Conception éditoriale : Patrick Frémeaux et Claude Colombini

P 1969-1972 – 2001 Jazz Odyssey Records- – Frémeaux & Associés cessionnaire 2016 & © 2017 Groupe Frémeaux Colombini


This set brings together the recordings for Louis Panassié’s historic film made between 1969 and 1972. The film is one of the most important in jazz history, and it gave birth to two wonderful 12” LPs in 1972. Over thirty years later (2005), Laurent Verdeaux founded the jazz label Odyssey Records in order to preserve this music legacy, and he began restoring and digitizing these legendary titles — whose sound quality, it has to be said, was exemplary for the period. Apart from the beauty of these moments of truth in music, this double album also offers a golden opportunity to revisit the Seventies in the company of some of the figures whose music went straight to the heart of seminal jazz and blues, from Milt Buckner and John Lee Hooker to Willie ‘the Lion’ Smith and Sister Rosetta Tharpe.    
Patrick Frémeaux

VOLUME 1 JOCD 01

Milt BUCKNER, orgue, Jo JONES, batterie : 1. SWINGIN’ IN BIARRITZ • 2. TEA FOR TWO • 3. CARAVAN
PANASSIÉ STOMPERS : 4. BASIN STREET BLUES • 5. MONTAUBAN BLUES • 6. CHEZ PANASSIÉ Take 1 • 7. CHEZ PANASSIÉ Take 2
Memphis SLIM, vocal et piano, Madeleine GAUTIER, vocal (9) : 8. NO (it’s all over) • 9. BEER DRINKING WOMAN
Willie « the Lion » SMITH, piano, vocal (12) : 10. HERE COMES THE BAND • 11. RELAXIN’ • 12. MUSIC ON MY MIND
Zutty SINGLETON (solos de batterie) : 13 NEW ORLEANS DRUMS • 14. RIM SHOTS • 15. DRUM FACE N°3
Sister Rosetta THARPE, vocal et piano : 16. I SHALL NOT BE MOVED • 17. ABOUT MY LIFE • 18. JUST A LITTLE WHILE TO STAY HERE
DOCUMENT : 19. Quelques instants de l’office dominical de l’église évangéliste St Luc, Philadelphie
VOLUME 2 JOCD 02
THE STARS OF FAITH : 1. DRY BONES • 2. A PITY AND A SHAME
Sister Rosetta THARPE, vocal et guitare : 3. UP ABOVE MY HEAD • 4. GO AHEAD • 5. GUITAR IS A GIFT OF GOD • 6. THAT’S ALL
Cliff JACKSON, p, Zutty SINGLETON, dms : 7. WOLVERINE BLUES • 8. MEMPHIS BLUES • 9. HONEYSUCKLE ROSE
Michael SILVA (solo de batterie) : 10. FOOLIN’ AROUND
DICK VANCE ORCHESTRA : 11. JUMPIN’ AT THE WOODSIDE • 12. TIN ROOF BLUES
Cozy COLE (solo de batterie) : 13. COZY’S DRUMS
John Lee HOOKER, vocal et guitare : 14. WHEN MY FIRST WIFE QUIT ME • 15. BOOGIE CHILLUN
Milt BUCKNER, orgue, JO JONES, batterie : 16. MADELEINE’S GARDEN • 17 l’VE FOUND A NEW CHAPEAU • 18. LA BELLE CLAUDINE
BUDDY TATE CELEBRITY CLUB ORCHESTRA : 19. ONE O’CLOCK JUMP • 20. JOKIN’ • 21. THE MOOCHE
Charlie SHAVERS : 22. BLUES FOR HUGUES

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