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- Philosophy
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- The philosophical work explained by Luc Ferry
- Ancient thought
- Thinkers of yesterday as seen by the philosophers of today
- Historical philosophical texts interpreted by great actors
- History
- Books (in French)
- Social science
- Historical words
- Audiobooks & Literature
- Our Catalog
- Jazz
- Blues
- Rock - Country - Cajun
- French song
- World music
- Africa
- France
- Québec / Canada
- Hawaï
- West Indies
- Caribbean
- Cuba & Afro-cubain
- Mexico
- South America
- Tango
- Brazil
- Tzigane / Gypsy
- Fado / Portugal
- Flamenco / Spain
- Yiddish / Israel
- China
- Tibet / Nepal
- Asia
- Indian Ocean / Madagascar
- Japan
- Indonesia
- Oceania
- India
- Bangladesh
- USSR / Communist songs
- World music / Miscellaneous
- Classical music
- Composers - Movie Soundtracks
- Sounds of nature
- Our Catalog
- Youth
- Philosophy
- News
- How to order ?
- Receive the catalog
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Louis Armstrong - The complete works
1923 - 1949 in 45 CDs
Réf. : FA1351 / FA1352 / FA1353 / FA1354 / FA1355 / FA1356 / FA1357 / FA1358 / FA1359 / FA1360 / FA1361 / FA1362 / FA1363 / FA1364 / FA1365
Artistic Direction : DANIEL NEVERS , DANIEL NEVERS & PATRICK FREMEAUX
Label : Frémeaux & Associés
Total duration of the pack : 52 hours 48 minutes
Nbre. CD : 45
- - R 10 CLASSICA REPERTOIRE
The Frémeaux & Associés Complete Series usually feature all the original and available phonographic recordings and the majority of existing radio documents for a comprehensive portrayal of the artist.
The Louis Armstrong series is an exception to the rule in that the selection of titles by this American wizard is certainly the most complete as published to this day but does not comprise all his recorded works.
Patrick Frémeaux
CHIMES BLUES 1923-1924
Jazz is the only music I love. My discovery of King Oliver was of all importance (...). The most beautiful disc I know is the OkeH version of Mabel's Dream. Armstrong's second voice behind King Oliver brings tears to my eyes. Jean-Christophe Averty
The Frémeaux & Associés Complete Series usually feature all the original and available phonographic recordings and the majority of existing radio documents for a comprehensive portrayal of the artist.
The Louis Armstrong series is an exception to the rule in that the selection of titles by this American wizard is certainly the most complete as published to this day but does not comprise all his recorded works. Patrick Frémeaux
SUGAR FOOT STOMP 1924 - 1925
“Had Louis Armstrong, the inventor of swing and organizer of solo improvisation not existed, it is probable that jazz wouldn’t have developed in the same astonishing manner. Jazz reached its universal renown owing almost everything to Louis Armstrong.” André Hodeir
The Frémeaux & Associés Complete Series usually feature all the original and available phonographic recordings and the majority of existing radio documents for a comprehensive portrayal of the artist. The Louis Armstrong series is an exception to the rule in that the selection of titles by this American wizard is certainly the most complete as published to this day but does not comprise all his recorded works. Patrick Frémeaux
CORNET SHOP SUEY 1925-1926
“I still remember the Hot Five, with Lil and Louis Armstrong. It was really something else. Thanks to Louis I realized for the first time that jazz was a kind of music which was something else.” Nicholas Ray, film maker
The Frémeaux & Associés Complete Series usually feature all the original and available phonographic recordings and the majority of existing radio documents for a comprehensive portrayal of the artist. The Louis Armstrong series is an exception to the rule in that the selection of titles by this American wizard is certainly the most complete as published to this day but does not comprise all his recorded works. Patrick Frémeaux
WEST END BLUES 1926-1928
“In 1925, Armstrong plays faster and higher than any other trumpeter. With his supple and firm lips as well as his exceptional lung capacity, his attack is powerful and sharp, the vibrato is full and fiery, his playing bears a thousand different forms with a deep, radiant and voluminous sonority. This sonority is a world in itself. Apart from the soloist’s outlined phrases and with just one note, it comes over as significant, bringing a message from his heart.” Lucien Malson
The Frémeaux & Associés Complete Series usually feature all the original and available phonographic recordings and the majority of existing radio documents for a comprehensive portrayal of the artist. The Louis Armstrong series is an exception to the rule in that the selection of titles by this American wizard is certainly the most complete as published to this day but does not comprise all his recorded works. Patrick Frémeaux
TIGHT LIKE THIS 1928-1931
The irresistible ascension of the King of Jazz, from Chicago (1928) to Chicago (1931) with stop-overs at New York and Los Angeles and international recognition to boot. From Tight Like This to When It’s Sleepy Time Down South. Daniel Nevers
The Frémeaux & Associés Complete Series usually feature all the original and available phonographic recordings and the majority of existing radio documents for a comprehensive portrayal of the artist. The Louis Armstrong series is an exception to the rule in that the selection of titles by this American wizard is certainly the most complete as published to this day but does not comprise all his recorded works. Patrick Frémeaux
I GOTTA RIGHT TO SING THE BLUES - 1931-1933
“When I arrived in England and was welcomed everywhere, I was really surprised and couldn’t do everything. I couldn’t understand why all those people had come to hear me… Then I understood: they were record collectors!” (Louis ARMSTRONG – Swing that Music, 1937)
The Frémeaux & Associés Complete Series usually feature all the original and available phonographic recordings and the majority of existing radio documents for a comprehensive portrayal of the artist. The Louis Armstrong series is an exception to the rule in that the selection of titles by this American wizard is certainly the most complete as published to this day but does not comprise all his recorded works. Patrick Frémeaux
SWING THAT MUSIC - 1934-1937
Armstrong's unique recording session away from the USA (Paris 1934) and the return of the prodigal son back home to enter a new phase of his career which included the silver screens and radio. Daniel Nevers
The Frémeaux & Associés Complete Series usually feature all the original and available phonographic recordings and the majority of existing radio documents for a comprehensive portrayal of the artist. The Louis Armstrong series is an exception to the rule in that the selection of titles by this American wizard is certainly the most complete as published to this day but does not comprise all his recorded works. Patrick Frémeaux
PUBLIC MELODY N°1 - 1937-1938
“The Lord made only one Louis Armstrong. It took him time, and he’d take even more time to make another one! Just one Louis is enough for this world.” Lionel HAMPTON
The Frémeaux & Associés Complete Series usually feature all the original and available phonographic recordings and the majority of existing radio documents for a comprehensive portrayal of the artist. The Louis Armstrong series is an exception to the rule in that the selection of titles by this American wizard is certainly the most complete as published to this day but does not comprise all his recorded works. Patrick Frémeaux
JEEPERS CREEPERS - 1938-1941
“As changing and colourful as life itself, the artistry of Louis Armstrong goes straight to the heart in its audacity and truthfulness (…) His dynamic lyricism, that of a genius, sends us far back into ourselves to where great mysteries are formed, mysteries of flame and passion.” Carlos de RADZITZKY
The Frémeaux & Associés Complete Series usually feature all the original and available phonographic recordings and the majority of existing radio documents for a comprehensive portrayal of the artist. The Louis Armstrong series is an exception to the rule in that the selection of titles by this American wizard is certainly the most complete as published to this day but does not comprise all his recorded works. Patrick FREMEAUX
RADIO DAYS 1941-1944
Radio? Of course he’d heard of it; Armstrong had been playing with Fletcher Henderson in 1924-1925, hadn't he? It was even how the young Cootie Williams discovered him, sneaking a listen to him on short-wave radio in the evenings... In 1926, in Chicago, the Hot Five had done broadcasts even though the group only existed on records. And then there were programmes in Europe. In 1937 Louis even became a genuine radio-star on a national network. But when the war came, patriotism was the word, thanks to the AFN and the AFRS transcriptions... Daniel Nevers
The Frémeaux & Associés Complete Series usually feature all the original and available phonographic recordings and the majority of existing radio documents for a comprehensive portrayal of the artist. The Louis Armstrong series is an exception to the rule in that the selection of titles by this American wizard is certainly the most complete as published to this day but does not comprise all his recorded works. Patrick FREMEAUX
JACK - ARMSTRONG BLUES - 1944-1945
“You can’t play nothing on trumpet that doesn’t come from him, not even modern shit. I can’t ever remember a time when he sounded bad. Never. Not even one time. He had great feeling up in his trumpet and he always played on the beat. I always just loved the way he played and sang.” Miles DAVIS
The Frémeaux & Associés Complete Series usually feature all the original and available phonographic recordings and the majority of existing radio documents for a comprehensive portrayal of the artist. The Louis Armstrong series is an exception to the rule in that the selection of titles by this American wizard is certainly the most complete as published to this day but does not comprise all his recorded works. Patrick FREMEAUX
NEW ORLEANS 1946-1947
“What the Hollywood people do is never authentic. They always choose the actor whose looks and acting are on the other side of the world from the character whose life-story they’re telling.” Louis ARMSTRONG
A SONG WAS BORN - 1947
“It is safe to say that among performing artists of the 20th century, only Charlie Chaplin was as universally recognized as Louis Armstrong.” Dan MORGENSTERN, Director, Institute of Jazz Studies, Rutgers University
CONSTELLATION 48
“I like to say a few words, ha !... Ladies and gentlemen, I have the great pleasure to… telling you how much my boys and I have enjoyed our stay here in Nice… And I think this festival should become an institution, so that we can come back to your beautiful country every year. Thank you very very much…”. Louis ARMSTRONG, Nice (France), 28/02/1948
THE KING OF THE ZULUS 1948-1949
“I first met Louis in Chicago, just after he left King Oliver’s band (…) Nobody could copy him. Some were trying to play the trumpet like he does, but nothing happened… It’s so simple: when he sings a sad song you cry, and when he sings a happy song, you laugh.” Bing CROSBY
The Frémeaux & Associés Complete Series usually feature all the original and available phonographic recordings and the majority of existing radio documents for a comprehensive portrayal of the artist. The Louis Armstrong series is an exception to the rule in that the selection of titles by this American wizard is certainly the most complete as published to this day but does not comprise all his recorded works. Patrick Frémeaux
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PisteTitleMain artistAutorDurationRegistered in
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1JUST GONELOUIS ARMSTRONGJOHNSON00:02:451923
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2CANAL STREET BLUESLOUIS ARMSTRONGLOUIS ARMSTRONG00:02:281923
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3MANDY LEE BLUESLOUIS ARMSTRONGW MELROSE00:02:111923
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4I M GOING AWAY TO WEAR YOU OFF MY MINDLOUIS ARMSTRONGSMITH00:02:531923
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5CHIMES BLUESLOUIS ARMSTRONGJOSEPH JOE KING OLIVER00:02:531923
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6WHEATHER BIRD RAGLOUIS ARMSTRONGLOUIS ARMSTRONG00:02:441923
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7DIPPER MOUTH BLUES 1LOUIS ARMSTRONGOLIVER JOSEPH JOE KING00:02:311923
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8FROGGY MOORELOUIS ARMSTRONGSPIKE BROS00:03:031923
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9SNAKE RAG 1LOUIS ARMSTRONGJOSEPH JOE KING OLIVER00:03:031923
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10SNAKE RAG 2LOUIS ARMSTRONGA J PIRON00:03:181923
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11SWEET LOVING MANLOUIS ARMSTRONGLILLIAN HARDIN00:02:471923
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12HIGH SOCIETY RAGLOUIS ARMSTRONGJOSEPH JOE KING OLIVER00:02:561923
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13SOBBIN BLUESLOUIS ARMSTRONGBURTON00:03:151923
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14WHERE DID YOU STAY LAST NIGHTLOUIS ARMSTRONGA J PIRON00:02:321923
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15DIPPER MOUTH BLUES 2LOUIS ARMSTRONGLOUIS ARMSTRONG00:02:151923
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16JAZZIN BABIES BLUESLOUIS ARMSTRONGRM JONES00:03:051923
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17MABEL S DREAM 1LOUIS ARMSTRONGI SMITH00:02:511923
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18MABEL S DREAM 2LOUIS ARMSTRONGI SMITH00:02:501923
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19THE SOUTHERN STOMPS 1LOUIS ARMSTRONGJM JONES00:02:421923
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20THE SOUTHERN STOMPS 2LOUIS ARMSTRONGJM JONES00:02:441923
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21RIVERSIDE BLUES 1LOUIS ARMSTRONGRM JONES00:02:591923
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22ZULUS BALLLOUIS ARMSTRONGROBINSON00:02:351923
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23WORKINGMAN BLUES 1LOUIS ARMSTRONGLILLIAN HARDIN00:02:111923
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PisteTitleMain artistAutorDurationRegistered in
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1ALLIGATOR HOPLOUIS ARMSTRONGA J PIRON00:02:261923
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2KROOKED BLUESLOUIS ARMSTRONGJOHNSON00:02:561923
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3BUDDY S HABITSLOUIS ARMSTRONGA NELSON00:03:021923
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4TEARSLOUIS ARMSTRONGLILLIAN HARDIN00:03:101923
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5I AIN T GONNA TELL NOBODYLOUIS ARMSTRONGRM JONES00:03:191923
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6ROOM RENT BLUESLOUIS ARMSTRONGI NEWTON00:02:501923
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7RIVERSIDE BLUES 2LOUIS ARMSTRONGRM JONES00:02:521923
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8SWEET BABY DOLLLOUIS ARMSTRONGW LE ROY00:02:521923
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9WORKING MAN BLUES 2LOUIS ARMSTRONGJOSEPH JOE KING OLIVER00:02:571923
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10MABEL S DREAM 3LOUIS ARMSTRONGI SMITH00:02:521923
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11CHATANOOGA STOMPLOUIS ARMSTRONGA PICOU00:02:591923
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12LONDON CAFE BLUESLOUIS ARMSTRONGF MORTON00:02:451923
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13CAMP MEETING BLUESLOUIS ARMSTRONGJOSEPH JOE KING OLIVER00:02:591923
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14NEW ORLEANS STOMPLOUIS ARMSTRONGA PICOU00:02:571923
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15MANDALOUIS ARMSTRONGN SISSLE00:03:131924
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16GO LONG MULELOUIS ARMSTRONGR KING00:03:071924
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17TELL ME DREAMY EYESLOUIS ARMSTRONGGORDON00:03:041924
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18MY ROSE MARIELOUIS ARMSTRONGR KING00:02:461924
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19SHANGAI SHUFFLE 1LOUIS ARMSTRONGL L CONLEY00:03:131924
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20SEE SEE RIDER BLUESLOUIS ARMSTRONGL ARANT00:03:121924
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21JELLY BEAN BLUESLOUIS ARMSTRONGL ARANT00:03:091924
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22COUNTIN THE BLUES 1LOUIS ARMSTRONGGERTRUDE MA RAINEY00:03:101924
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23COUNTIN THE BLUES 2LOUIS ARMSTRONGGERTRUDE MA RAINEY00:03:071924
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PisteTitleMain artistAutorDurationRegistered in
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1TEXAS MOANER BLUES 1LOUIS ARMSTRONGF BARNES00:03:161924
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2EARLY IN THE MORNINGLOUIS ARMSTRONGW B OVERSTREET00:03:001924
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3YOU VE GOT THE RIGHT KEY BUT THE WRONG KEYHOLELOUIS ARMSTRONGE GREEN00:03:251924
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4WORDSLOUIS ARMSTRONGSPENCER00:03:011924
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5COPENHAGENLOUIS ARMSTRONGW MELROSE00:02:581924
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6OF ALL THE WRONGS YOU DONE TO ME 1LOUIS ARMSTRONGL PAYTON00:02:541924
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7EVERYBODY LOVES MY BABY 1LOUIS ARMSTRONGJ PALMER00:02:361924
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8EVERYBODY LOVES MY BABY 2LOUIS ARMSTRONGJ PALMER00:02:411924
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9SHANGAI SHUFFLE 2LOUIS ARMSTRONGL L CONLEY00:02:481924
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10NAUGHTY MANLOUIS ARMSTRONGCHARLIE DIXON00:03:161924
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11TEXAS MOANER BLUES 2LOUIS ARMSTRONGF BARNES00:02:561924
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12OF ALL THE WRONGS YOU VE DONE TO ME 2LOUIS ARMSTRONGL PAYTON00:02:421924
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13ONE OF THESE DAYSLOUIS ARMSTRONGD A HOFMAN00:02:491924
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14MY DREAM MANLOUIS ARMSTRONGF DALE00:03:011924
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15THE MEANEST KIND OF BLUESLOUIS ARMSTRONGI KATZMAN00:03:041924
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16NAUGHTY MAN 1LOUIS ARMSTRONGCHARLIE DIXON00:02:571924
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17HOW COME YOU DO ME LIKE YOU DO 1LOUIS ARMSTRONGR BERGERE00:03:081924
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18HOW COME YOU DO ME LIKE YOU DO 2LOUIS ARMSTRONGR BERGERE00:02:511924
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19NAUGHTY MAN 2LOUIS ARMSTRONGCHARLIE DIXON00:02:411924
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20PAPA MAMA S ALL ALONE BLUESLOUIS ARMSTRONGW HIGGINS00:02:361924
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21CHANGEABLE DADDY OF MINELOUIS ARMSTRONGB SHAFER00:02:411924
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PisteTitleMain artistAutorDurationRegistered in
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1EVERYBODY LOVES MY BABY 1FLETCHER HENDERSON AND HIS ORCJ PALMER00:03:001924
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2EVERYBODY LOVES MY BABY 2FLETCHER HENDERSON AND HIS ORCJ PALMER00:03:051924